Managers, Firefighters, and Exiles, Oh My!

How Parts language can help you and your emotions

Practicing - challenge...sacred calling...eternal frustration...flow

I love the synchronicity of emotional themes that circle in my life, or crop up for me and my sister at the same time, or that show up for multiple clients in a season. (Let's be honest - sometimes I hate the emotional themes in my life, because it means I'm growing and stretching and that's usually painful.)

The theme of practicing has emerged this summer. In a recent class, one participant mentioned the word PRACTICE, and the energy shift in the room was palpable. People leaned forward, wanting to share their strategies, their stories, their victories, their battles with self-sabotage, their ways of coping.
Because, as artists, learning to practice our craft is essential, fraught with trial, and abounding with internal and external judgment.

The practice room, our writing desk, the painting studio – wherever you do your creative work can feel like a battleground. 

Let’s take a look at some of the common Parts of a person that might get triggered around practicing:

The Shoulds
“I should be practicing” (said while eating, while watching TV, while taking a nap…)
“I should do it better”
“I should already be better” – this was my most common refrain. Always should be better, always behind.
”I should have practiced yesterday, and the day before, etc.”
This Part clearly has a goal of doing things better, of seeing a vision that is possible, but not yet attained. Thank you for the vision! But often that vision isn’t enough of a motivation, and there is an edge of judgment or Not-Good-Enough involved, creating an unpleasant feeling and resistance.
That resistance might show up as:
Avoidance
See above – eating, watching TV, cleaning the house, answering every last email, taking a nap. This Part will do anything and everything to avoid the job at hand, the thing we care about, working on our craft. Because working at our art is hard, and vulnerable, and we risk public failure, or public success, or public scrutiny. Or being ignored, laughed at, feeling invisible, not being taken seriously. Let’s be real – eating frozen waffles while watching The Great British Baking Show is a lot more fun in the moment. Can you see how the Avoider Part has an intention of avoiding potentially hard feelings of vulnerability, failure, success, fatigue?

Analyzer/Problem Solver
This Part of us is so essential to moving forward, growing, improving. We need the part of us that analyzes and judges and fixes and creates solutions. Having a strong Problem Solver-Analyzer part can save us money, help us trust our own instincts, and just be damn smart and strong. But when that Part of us gets out of balance it leads to more judgment, blame, shame, and just general unpleasantness around the work we love.
This out of balance part is sometimes called:
Inner Critic
Often showing up as a mean, hateful, abusive Part of us, with all nastiness directed inward. The Inner Critic throws our ability to truly assess out of balance. Any little mistake becomes a red flag, red alert, danger zone, terrible, disaster. t the same time, the Inner Critic still has an intention of helping - helping us grow, do better, be better, try harder, etc.

Perfectionism
This is a different flavor of inner criticism, masquerading as a useful and attainable goal. But perfection is not attainable, and striving to reach perfection will always leave us disappointed and frustrated. I'm experiencing this kind of part right now, as I write this newsletter. "Let me review one more time. Let me see if it's sitting right with my gut. Let me adjust one little word here and there. What about the title? What about posting on facebook?".....which is all a great way to avoid actually hitting send. Avoiding making my efforts public. Avoiding judgment. 

On the positive side of practicing we get into Flow. We engage the Problem Solver in balance, with curiosity and spaciousness and enjoyment. We have Compassion for our self as we work through the normal Creative process. We have Persistence and Grit. We continue to strive for excellence, and maintain connection to our core values of being an artist.

Identifying and engaging the Parts that derail our process, such as the Critic, the Avoider, the Shoulds, is the first step to returning to balance and finding more of the fun and ease in the practice room and creative process. Because fun, creativity, and productivity are all very possible! Not fighting these Parts of us, but instead looking at them with space and compassion is the ironic, annoying, and sustainable way to creating room for our creative spirit.

Here's a video with more info about dealing with the Inner Critic.

Cheers to practicing your craft!
xoxo
Marta

Coming a-PART in a positive way

If you've worked with me in the last 6 months, you surely noticed my new love affair of talking about PARTS. 
"Part of me is delighted to be performing, but other parts are tired and overwhelmed."
"Part of me wants to eat all the chocolate chip cookies....and another part wants to take a nap....and another part thinks I should go for a run and eat carrots."
"Part of me is distracted today by all the other things I need to get done."

So what's the deal with the parts language? I remember when I first started seeing my therapist I said to her, "I'm open to trying IFS (Internal Family Systems), but do we have to talk about Parts all the time?" Even the instructor of my recent Level 1 IFS training would often say that when she was first introduced to the model, she would say, "yeah, yeah, yeah, it all sounds good, but do we really have to talk about parts?" 

It's pretty normal to have some concerns about this way of talking. Here are some reasons I think it's worth trying.

1. It's calming to our system to simply identify all of the activated Parts. To find the part who has anxiety, or who is mad, or skeptical - just that knowledge alone sometimes brings a shift and creates more openness and curiosity.

2. Parts language helps create healthy compartmentalization. You can even make a deal with your parts, to promise to spend time with activated parts at a convenient time, so you can focus, perform, create, write, etc when you need to. The key is that you must follow through or your parts will learn to distrust this deal.

3. It gives us one step of space between US as a person and the emotion, thought, or physical sensation. The Part is not all of me. I am more than this thought, feeling, sensation, or action. Even our more extreme feelings are parts - parts that contribute to self sabotage, writer's block, stage fright, etc. And beyond the creative world, extreme parts show up in eating disorders, sexually acting out, cutting, drinking, drugs, you name it. Even these challenging feelings and actions, they do not encompass the entirety of our being. 

4. Our parts always have a positive intention. It may not be immediately obvious, but it's there. Self sabotage is a way to protect from external rejection. Performance anxiety is a strong message that tender parts need more care. Eating disorders are a way to control life. Finding the positive intention gives space for self compassion, which builds on itself to extend compassion to all people. It makes dealing with humans that much easier. 

4. We all have Parts. No one is immune. It's a great human equalizer. Some of us have parts that are more extreme, but Parts are always acting from a positive intention, even if the action is deplorable. It's easier to bring more compassion to our self, and to others, when we know we or they are acting from parts. 

5. We can witness and truly unburden parts that are carrying old wounds and traumas. This is life changing, people. Rather than shoving, pushing, pulling, twisting, contorting so that those old wounds don't come out in weird ways, or they do come out and affect those around you, IFS offers a way to truly heal. This is done by...
6. ....treating parts like people. You are a person, and your parts are part of you. Not that you have to think or believe you have a multitude of people living in and around your body. But using our natural interpersonal skills, we listen to the parts and the stories they carry. 

7. So much nuance and clarity comes with Parts language, because the inner complexity of our being is more fully seen, understood, verbalized, witnessed.

8. Parts can be seen as members of the orchestra, and SELF is the conductor.SELF is that core essence of who you are, that energy of you that is naturally full of Confidence, Courage, Compassion, Curiosity, Creativity, Calm, Connection, Clarity, and Choice. It is relieving and calming to know that no Part is in charge. SELF becomes the natural leader of all the parts and our system. 

I'm truly curious, how does the Parts language strike you? I'd really love to know. Now that I am thoroughly at ease with this language shift, it would be super helpful to get a fresh perspective again from people who are just being acquainted with this way of working. Leave a comment on the blog, or drop me a note. 

[video] chocolate + peanut butter + butter + emotions

After my last blog post, Another F*@&ing Growth Opportunity, a friend asked to see my ratios for chocolate, peanut butter, and butter. I made a video so you can see for yourself. 

You may be wondering, 'what the heck does this have to do with being a performer or a creative person?' 

Identifying two opposing sides, or parts, in my head led to listening to what each part wanted. Listening and seeing how each part actually wants to help is a major shift and can radically interrupt and stop the spinning arguments in one's head. It's quite amazing. 

So you might have arguments about if you're good enough for xy and z auditions, or what your colleague said to you, or what you should eat tonight. Teasing apart the voices that argue, understanding that they each have positive intentions, and then listening, leads to pretty interesting consequences. And more internal peace, compassion, clarity, and all sorts of other good things too. 

Check out this 4 minute video and see what you think. And I'd love to know if you try the chocolate concoction and how you like it!

A year older and it's time for change.

On the wall of my music room is the Holstee Manifesto. It starts like this:

This is Your Life.
Do what you love and do it often.
If you don't like something, change it.

I've been fortunate to do something I love for the last dozen years - making music for my living. But over the last several years there has been a slow internal shift. And this fall I made it official:

I’m changing careers.

I'm letting go of gigging and performing, and focusing solely on Inner Artist Coaching (with a little vocal coaching mixed in).
 

What is Inner Artist Coaching? 

You know how being an artist, a performer, a creative type person can be hard? There are many external obstacles in the world – irregular work and finances; auditions + rejections + more auditions + more rejections; freelancing and trying to find time for passion projects. I mean, the list could go on and on, right?

And then there are the inner battles we all experience in one way or another – self doubt; performance anxiety; fear of success; fear of failure; procrastination – writers block, composers block, painters block. Basically getting in our own way!

As I’ve written about, I tried many tools to overcome my performance anxieties. The one that has worked the best, has transformed my life, and that I’m now in a year long training for, is Internal Family Systems therapy/coaching.

The long and short of this approach is believing that the discomfort, pain, fear that we experience is there for a reason. It is in getting to know these emotions more deeply that they can transform into more helpful emotions or qualities, or just step out of the way when the job needs to get done.
 

How does Inner Artist coaching apply to being a performer or artist? 

A core belief of Internal Family Systems is that we already have many of the internal resources we need. Deep inside, we know how to perform, how to create, how to write, how to have resilience, how to handle criticism. Confidence, calm, and capability is hardwired into our system, just as fear as a survival technique is hardwired into us. 

Fear is no small obstacle. It is present to keep us safe and alive. The strength of this fear can derail us from many of our life's goals and passions. 

It is in getting to know the deep concerns of fear and discomfort that we actually uncover the confidence and calm and capabilities that we already have. 

I’m doing it right now. Every time I sit down to write, I have conflicting feelings. I have the desire to get words and emotions onto my screen, out into the world, to be seen and read and heard and valued. At the same time, I get a tightness in my chest, a turn in my belly, distracted and racing mind – fear.

I sit with the duality of desires – one to do the work and the other to run away. And in fact, when I stop and listen to the tightness in my chest and the turn in my belly, I become more deeply connected to who I am, and write from the center of me, rather than the wordiness of my head. And the tightness transforms into something else, something useful, something connected, something energized.

So that’s what we do in Inner Artist coaching. Get to know the parts of you who come up around your art. Get to know their concerns. Welcome them. Treat them with kindness and build relationships with them. We apply this process to your art making. Make some music and see what parts come up. Write something and see about the concerns. Create something and see where energy and creativity go astray.

It is through this process that transformation happens. Art becomes easier. Performing becomes more fun. Practicing, writing, editing, composing becomes more enjoyable. Flow happens.